Erwan Frotin’s strange and beautiful still life photographs bring contemporary vitality to the genre. He sculpts witty, oddly elegant still lifes and lights these temporary structures to perfect effect. In the early 2000s, Frotin studied at the prestigious ECAL in Lausanne, Switzerland. In 2002 he was awarded the photography prize at the Festival de Hyères; his first commission for French Vogue art directed by M/M (Paris) followed. Frotin has exhibited his work extensively in Europe and recently completed Flora Olbiensis a project about the wild flora and fauna of southern France. He has created editorial photography for French Vogue, Vogue Hommes International, Wallpaper, The New York Times Magazine, Another Man, Libération, House & Garden, Intersection, and Dazed and Confused. His advertising clients include Asprey, Hermès, Bergdorf Goodman, Louis Vuitton, Tsumori Chisato, Sketch and Adidas.
High impact is everything in the world of commercial photography, and few photographers are able to make as much of an impact as Satoshi Kobayashi. Still lifes in name only, Satoshi’s ability to bring a visceral dynamism to static images has made his work highly sought after. Satoshi’s hyperstylized work delicately straddles the line between commercial and fine art, and his technical acumen is worth its weight in gold. He’s a user of Sinar’s unique p3 bellows-style digital camera and a devotee of Broncolor lighting.
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